itty_bitty_o: (Default)
Olive usually gets up early in the morning, so she can have the Pie Hole ready for customers by the time Ned comes in. (You never know when people are going to get a hankering for pie-- and besides, the piemaker's smile is worth the 6-am alarm clock.) 

So, this morning when the beep beep beep of her alarm clock goes off, she doesn't hit Snooze, groan and roll over. No. Such things are the actions of comedic fictional characters in sitcoms. Instead, Olive sits up in bed, three-quarters awake already. Within moments she is up, slipping into her bright orange day dress, and scrutinizing her face in the mirror. Is the face cream working? 

Are there less wrinkles than before? 
Olive often worries about her wrinkles, since her mother often told her (hinting, as it were, that the biological clock was rapidly turning into a bomb) that a woman's beauty needed continuous maintenance after her 30th birthday in order to snag a man.

She sighs, and re-applies a dose of well-advertised face cream anyway. After examining herself from various angles, Olive fixes her hair and eats a wholesome breakfast of Life cereal (with a little sugar on top). She feels optimistic about the day, as if something new and exciting is just around the corner.

As she unlocks the door to the Pie Hole, she smiles at a passing jogger.  "Beautiful morning, isn't it?" she calls. Olive turns the door handle, and-- well, this certainly isn't the Pie Hole she remembers.

She takes a hesitant step forward.
itty_bitty_o: (lonely)

Sometimes, Olive imagines that she’s on Broadway, solemn in the glare of the lights—a breathless audience waiting for her first notes to soar over the stage. So, when all the customers are gone, and she’s cleaning the tables, she sings. Tonight, it’s Chicago:

I’m gonna rouge my knees
               And roll my stockings down

She dusts off the last corner booth with a flourish, spinning her way towards stardom. She imagines what it would be like to really be on the stage, but she knows she could never give up her job, at the Pie Hole—

Of course, she’d give up every dream of Broadway to have the Piemaker. Ned: perfect in almost every way, in spite of his distance, his emotional detachment, his inability—or unwillingness—to look love in the eyes.

Olive often wonders about Ned’s tragic past, fabricating the sob stories he would tell her, if she asked, and the sad music that would swell behind his words.

No, I’m no one’s wife,
               But oh, I love my life

In all her dreams, the stories end, and there’s a soft silence before he sweeps her off her feet as the lights go out. The official happy ending. Broadway at night…

She gives the counter a final polish, and turns to put out the lights.

            And all
                that
                 
jazz.

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itty_bitty_o

May 2009

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